Pied Piper

Lesson Plan for nursery school, 30 – 50 month old, by Rania

Duration: approx 20 minutes

Scroll down for full lesson plan downloading options

Aim of Session: exercise the imagination of the children
Skill:  following, leading, responding to stimulus, imitating from memory and imitating someone directly, motor skills, listening, coordination, musical skills (pulse, rhythm, melody, form)
Knowledge: body parts, keeping a pulse, using a musical instrument, difference between sound and silence / movement and stopping

Description of Session

A form of “Pied the Piper” session, where through musical activities the children will follow your lead. It is a theatrical session where you become a different character and take the children on a magical musical journey.

(consider reading this, my thoughts between being a music entertainer or being yourself, if the thought on becoming another character is at least unpleasant)

1. Warm up – combine movements
2. Calming music and sway like trees
3a. March around the room and shake or tap the instrument when you make a step.
3b. Pretend to be ants marching in the forest [create movement sequences where you move and stop.
4. Leaders take turns
5. Nursery rhyme (Walking through the Jungle)
6. Goodbye song

Music Suggestions

  1. MARCHING ANTS: Kevin Alexander Wilson; Lick Twenty – 7 Blue
  2. SWAYING MUSIC: Lucy Hollingworth; I Lay Down By The Riverside And Dreamed

Classical music suggestions
For swaying or relaxing at the end of the session: Mademoiselle Bocquet; Allemande 

View full lesson plan including tips and explanations, covid-19 tips, and EYFS links Googls Docs here

© Rania Chrysostomou, 2020, lesson plan for nursery schools music  

Timbre and Pulse

Lesson Plan for nursery school, 8 – 20 month old, by Rania

Duration: approx 20 minutes

Scroll down for downloading the full lesson plan options

Aim of Session: feel a steady pulse moving fast, or slow
Skill:  observation, listening to the music, being social, memory, gross motor skills, fine motor skills, spacial awareness, awareness of loudness, confidence
Knowledge: Learn about 2 qualities of sound: loudness and timbre; and 1 element of music: pulse

Description of Session

  1. Warm up
  2. Move with scarves to slow music
  3. Move with scarves to fast music
  4. Give small percussion instruments and allow some time for the children to explore them.
  5. Drum patterns (PDF download further down): create small 3 beat, 4 beat or 5 beat sequences with the drum where everyone is quiet until the last beat and they make some noise 
  6. Sing: Open Shut them – 1st time normal, 2nd time fast, 3rd time quiet
  7. Sing: A Sailor went to Sea, sea, sea – 1st time normal, 2nd time slow, 3rd time loud
  8. Sing: Roly – Poly – 1st time quiet and fast, 2nd time loud and slow, 3rd time normal but omit the ending of each line.
  9. Warm down music and goodbye

Music Suggestions

  1. Changing between faster and slower sections:
    Sonata for Alto Saxophone and Harp (movement 1) – Andy Scott performed by Polaris Duo
  2. Or try this one, What is joy to you? performed by Polaris Duo again and written by Esther Swift, there are more subtle changes between mellower and more energetic parts
  3. Slow music or for calming down music Unicorn in Rainbows by Alison Berry  Listen to Unicorn in Rainbows by Alison Berry on #SoundCloud

Classical music suggestions

  1. Fanny Mendelssohn – Piano Sonata in C minor (there are 3 movements that you can use for fast music – presto movement 3 – ; slow – Andante con moto – ; or the Allegro moderato con espressione that has little textural changes

View full lesson plan including tips and explanations, covid-19 tips, and EYFS links Googls Docs here or

© Rania Chrysostomou, 2020, lesson plan for nursery schools music  

Lesson Plan | Nature / Animals

Lesson Plan for nursery school, 
16 – 26 month old, by Rania

“When in doubt,” a mentor of mine once told me, “talk about animals, sing about animals, just use animals, or food, or nature. I don’t know why but children love them!” So, here is a lesson plan that can be focused around ainmals or nature. I would suggest focusing on one of these for the age group I am recommending here. This lesson plan can easily be used for older children but of course your expectations will be a little bit different.

and on Google Docs. Also check my previous lesson plan here

Duration: approx 20 minutes

Aim of Session: Listen and move to the music, follow directions and trigger imagination
Skill:  observation, memory, imitation, being social, listening, gross motor skills
Knowledge: Learn about the outdoors, nature, natural sounds, animals and animal sounds, observation and imitation

Description of the Session
  1. Warm up
  2. Sing 2 songs about nature / animals
  3. Show pictures of animals — moves and make sound inspired by the picture
  4. With a hand drum: name animals and children move according to that. Hit the drum rhythmically, mimicking the animal’s or plant’s march, behaviour, posture etc…
  5. Music on: Musical statues with music that is about nature or animals. Move with the children. Ask the children to represent a specific animal when they move (check tips)
  6. Sing 2 songs
  7. Warm down music

music source (tablet, iPad), music*, books/pictures of nature and animals, drum (and a mallet)

Music suggestions:

  1. Woodwings – Emily Doolittle (consider buying music) 
  2. The Swan Brings Winter on its Wings – Esther Hopkins
  3. Wanderlust – Marta Lozano Molano
  4. Mountain Dances – I. Thin Air – Kimberly Osberg

Warm down music: The Linden Tree – Misha Mullov-Abbado performed by The Hermes Experiment

Song Suggestion:

  1. The Animal fair
  2. Rub-a-dub-a-dub
  3. 1-2-3-4-5 once I caught a fish alive
  4. Walking through the jungle

Tips for Music Practitioner in Nursery

  1. Focus the lesson plan around animals or nature
  2. The music suggestions I give are only suggestions.
  3. Try as much as you can to incorporate music written in modern times.
  4. Participate as much as possible in the session.
  5. Younger children might not easily get the concept of musical statues. That is okay.

© Rania Chrysostomou, 2020, lesson plan for nursery schools music 

Sound Stories

There are a few different types of sound stories.

  1. You enact sound effects as you are telling the story with musical instruments (which are the example below)
  2. You sing a melody or a rhythmical pattern at specific cues in the story
  3. Old radio type stories (my grandad would listen to these)
  4. Stories that use sound words like in We’re going on a bear hunt (sound words: splash, boom, zap)
  5. Audio stories by Anna Christina  

These are 3 (+2) stories that fall in the 1st type. This series of articles focuses on music in nursery schools for ages starting from 4 to 6 months up to 40+ months. Sound stories are fascinating for any and all ages. An easy way to make them more advanced is to reform the language or use a theme that is more appealing to your students. You don’t have to sing for these stories and you can also play a recording of them if talking is considered a COVID-19 risk.

Instrumentation is open. (For nurseries) I would go for small percussive instruments. Tambourines work very well for these stories because of the variety of quality sounds that can be produced; you can tap on different areas of the drum, shake it, tap and shake, swish, use fingernails to gently scrape or fingertips. Plus, you can move around while holding it.

You can also use props for these stories, like a parachute, scarves, objects that are mentioned in the story. Just remember to keep them clean. Even better use objects you can find in the room you are in and minimise transfering germs to different nursery rooms. All children can hold instruments if it’s appropriate for the day’s lesson. Babies can also hold little maracas, egg maracas, bells or other shakers to copy you, the music practitioner. 

Showing pictures is lovely for babies and toddlers. For the older ones, the language you use should be sufficient for them to create the images in their head. I think that is very useful as it feeds their imagination. With babies you can discuss what is happening in the picture and then carry on with the story.

Once the children are familiar with a story and around the age of 2,5 to 3 (depending on the children), try saying it with as few words as possible and let the children take the lead in creating the sounds (might get noisy, but it will also get better in time).

You don’t have to narrate the whole story at once. You can build up to it gradually. There is no right or wrong way to add sounds. Use your voice as an additional instrument, and gestures and face expressions for impact. I will try to guide you with some questions but if you have a better idea go for it!

For me, the sounds don’t have to be literal, we are looking for the feeling and give a general idea of what is happening in the story through sound, more like sound effects. Also, don’t feel that every word has to have a sound, or a different sound. Simple and cute. A bit of a surreal and fantasy situation. These stories are made up. You can use these ones, make up your own, add your own embellishments.

The Water Cycle 

There was a Little Wave skipping across the surface of the sparkling river (what would that sound like?). The Little wave sailed happily. 
Suddenly the water stream was a bit too strong for Little Wave to handle (what changes in the waves movement? You can show that with sound). The current was getting stronger and stronger. The Little Wave was rapidly jumping over stones and swishing through rocks. Until… she slid down the biggest waterfall (maybe you hit and shake the tambourine to resemble a splashing sound?)
And splashed into the dazzling quiet lake.
Little Wave relaxed on the crystal-like surface of the lake.
It relaxed for so long under the hot sun that it slowly started transforming into tiny, tiny droplets of gas and evaporated into the sky. (perhaps tapping gently the tambourine while lifting it higher?)
Other waves started doing the same, evaporating into the sky. And it all formed a big cloud.
A strong wind started blowing and took the wave above the ocean. (simile)
There was a stroke of lightning, then a very loud thunder!
And rain started falling from the clouds. Heavy rain.
Eventually the raindrops were falling slower, and slower on the sea surface. 
Our little Wave was again part of the water. It was on the sea water. The little Wave loved sailing across the sea. It felt the wind blowing behind it and it would rise up, scout the horizon and dive back in the sea, carrying on her journey as a wave in the sea.

Photo by Henry Dick on Unsplash

The Water Cycle | Baby version 

There was a little wave sailing in the river. And suddenly it started moving faster and faster, smashing on rocks until it fell down the waterfall and splashed in the little calm pool. 
The sun was hot and it pulled the little wave up in the sky towards it. 
One quiet night in the forest it started to rain. At first the raindrops were very very light, but gradually there were more and rain got heavier and heavier. Until finally the little wave was back in her river sailing away… 

Sun and Moon

It’s morning. And the sun comes out to warm the earth. The first sun beam falls on a green leaf. And the second one on a slug. The third sun beam falls onto the branch of a tree and the fourth one on a ladybug. The ladybug’s wings spread and she flies to the waterlilies taking the sun with her to shine on the river. The sun rays are gently reflected to all of the forest’s plants. Along wakes up a frog. And with his loud ‘ribit’ he wakes up all the animals. 
The sun was happy. It was a marvelous energetic morning. 
The sun gradually started setting behind the mountains. It is a quiet night. Most animals in the forest have gone to bed, there goes the swan, the goldfish, the bear, the squirrel. The stars are twinkling in the dark sky while the moonlight skips over the river reflecting its glow across the forest. Some animals are still awake. You might hear the owl, the aye-aye, the tarsier, the koala. 

Cherry Tree from Stone to Tree 

Photo by Mike C. S. on Unsplash

A Magpie was sitting on a cherry tree eating its cherries for tea. She gathered a few more to take to her friends sitting over on another tree. They all had a lovely party celebrating spring while eating cherries and throwing the stones on the ground. In the morning there was a pile of stones piled up next to the tree they had their party. The wind started blowing and scattered the cherry stones all around the valley. Then it blew a bit more, and a bit harder and caused the dirt from the ground to cover up all the stones. 
Now it was time for the squiggly worms to get to work and start fertilising the soil around the cherry stones. They munched leaves, and grass and turned the soil upside down, created little pathways for water and air to come through too. This carried on all summer.
In autumn heavy rain began to fall in the valley, pouring rain all over the plants and soil and even the little cherry stones that were well tucked under the ground.
After a long, long time passed a worm saw little roots coming out of the cherry seeds.  Then a stem stretched out to reach above the ground to present the first little leaf of the next cherry tree. 

The (North) Wind and the Sun, Aesop’s fables

This is a fantastic story for all sorts of things. From a sound and music point of view is amazing as well. 
As always don’t be shy from adapting it to suit each group of babies, toddlers and preschoolers you’re working with. 
There is no right or wrong way to represent the sound of the Sun or the Wind. Whatever feels right for you. If I use only my tambourine again, I would use steady beats for the sun and for the wind swishes on the head of the tambourine. And a little shake when the traveller takes off the cloak. 

© Rania Chrysostomou, 2020, lesson plan for nursery schools music 

Apples and Oranges

All children are different; so will your lesson plans

Every child is different. 
As human beings, they have the same basic needs. 

In our Music-in-Nursery-schools terms we will exclude the important and vital basic needs such as food and sleep, and look into developmental needs. Children will want to make relationships, develop their self-confidence and self-awareness, managing feelings and behaviour, moving and handling, health and self-care, listening and attention, speaking, understanding, reading, writing, number, space and shapes, understanding the world, technology, exploring and using media and materials, being imaginative* (EYFS).

You will notice how differently 2 children under 24 months develop. Not only do babies and children learn at different speeds but their attention span differs as well. So by this, it is natural that your plannings for each group of children will be different. Here’s an example of why this may happen.
Group 1: 8 babies (6 – 13 months) 6 are mobile and 2 can sit unsupported
Group 2: 8 babies (6 – 13 months) 2 are mobile and 6 can sit unsupported

Your expectations and activities won’t be the same.  
I mean… They can be the same exactly, but then you might not be challenging all babies to the level they can handle a musical challenge. There is nothing wrong in doing so. It’s a possibility for you to consider and what your music teaching / music enlightenment philosophy is.

My million pound advice is to incorporate movement as much as possible in as many activities as possible when with children and babies. They don’t get bored but also, they are mantally active in the learning process, they are engaging with the learning.

Luckily, it doesn’t mean that you have to create 2 entirely different lesson plans. It would be exhausting and confusing for you to do that.

What worked for me and I know will work for almost anyone, is to have a sort of template lesson plan. I actually ended up using a template lesson plan between most age groups, across all 6 nurseries I was working in. 

You have the template lesson plan and you use progressions. (check out this lesson plan as a reference)

Areas you can progress on musical and non musical 

  1. Movement 
  2. Time span of an activity 
  3. Your wording of an activity 
  4. Instrumentation 
  5. Responsibilities of each child
  6. Groups (working in pair, as a whole group, with assistance from adults) 
  7. Singing qualities 
  8. Tempo qualities 
  9. Following the leader – listen and response 
  10. You think about another aspect you can progress on and how it will change

For instance:
Itsy-bitsy-Spider (a basic expectancy plan)
So if you are singing the itsy-bitsy-spider you would roughly expect 
Stage 1: some babies will not be using their hands at all and (at the best of times) listen intensely, giggle, and look at their primary carer with wide eyes. 
Stage 2: trying but not quite nailing the whole sequence. Moving their fingers at the very start of the song, repeating one gesture until it comes up in the song, clapping at the end of the song…
Stage 3: singing a word or a phrase here and there while trying to coordinate their fingers as well. 
Stage 4: singing more words and phrases, more confident with their gestures and know exactly when to change for the next phrase
Stage 5: Enact the whole song with their body and fingers and sing it 
Stage 6 (advanced pre-schoolers or older): The whole lesson plan can be around the spider song and there are other activities involved which isolate properties of music like rhythm, melody, the theme, add dynamics, play it on a xylophone, change the gestures, change lyrics, words, the sky’s the limit!

Don’t forget that children’s and babies’ attention span is quite small and it varies from child to child and from day to day for each child. This may sound confusing if you’ve never ever worked with 0 – 60 month olds but with experience you learn to recognise small mannerisms that indicate “now I’m fed up with this thing, let’s do something else”. Sometimes you may think that if they try it one more time they will master the skill but sadly their agenda is different and I think at these stages it is important to respect that and not push them for “one last time” unless you are beyond sure they can handle it. I would suggest to keep all activities under 2 minutes, between 30 seconds to 2 minutes and build up resistance and stamina gradually. 

Indeed, children’s attention spans are low. Depending on the age and how they are feeling that day, it might be between 30 seconds to 2 minutes before they get bored and want a new activity. They may start wondering off. That Is NoRMaL! But please, Don’t ignore the signs. If you have done the best you could then it’s just on the day. Remember, concentration can be trained. It may take a bit of time.

This is from personal experience, talking with colleagues and reading some scientific articles over the years. All are suggestions and it is what works for you as a music practitioner for the early years.

© Rania Chrysostomou, 2020, lesson plan for nursery schools music

What can babies do

A rough guide for first-time music practitioners / entertainers on what babies (18 months and under) can do physically and some tips and suggestions to making your session plans.

A useful guide to read is the EYFS, Early  Years Foundation Stage which lists what a child can do in every stage of their early life, and how an adult can help them to move on safely to the next developmental stage.In the book it states “Children develop at their own rates, and in their own ways”. It lists the prime and specific Areas of Learning and Development such as making relations and building self confidence and self awareness to listening and attention to speaking, moving…etc. It would be good if you look through the book. It’s useful to focus every lesson plan around one developmental area and sub-area.

All children are different and develop at their own rates.

page 2 and footnotes

Use this as a rough guide and if you are not sure, ask and use your judgment. At about:

  1. 4 – 6 months they will be making sounds 
  2. 5 months start crawling – some children may skip crawling completely.
  3. 7 months start standing by holding on to things
  4. 12 months start walking on their own – and for some it may take longer
  5. 9 months clapping and gradually they perfect this. Although don’t expect that they can clap the beat to an entire song until much later
  6. 24 months (two years) to walk and clap at the same time
  7. 18 months will be saying some words
  8. 18 months will be very mobile, move around independently and through a ball (or let it fall from their hands)
  9. 20 months putting words together. Don’t expect them to sing you the whole song but they can shout out a word every now and then and may carry a tune
  10. 24 months their attention span is short so activities should be around 2 minutes long and gradually as they get older make them longer
  11. After two years of age expect children to be able to do controlled and simultaneous actions with all limbs, to cross their hands and place them on their thighs, or place one hand on their tummy and one hand on their heads. 
  12. Babies won’t be sharing until well after 30 months old (2,5 y.o.) but will know that some things belong to them and some to others from about 18 months. At this stage it is easier if they share a toy with their practitioners rather than with other children. 
  13. Play hiding games, show pictures, pretend vocabulary (let’s pretend we are frogs), use animals and make funny noises – These are always a hit!


If you are in doubt about what children can do, ask the nursery practitioner of the group you need clarification on.

You are building intention. They will not sing with you loud and clear or clap every time when the song says so but it shouldn’t stop you from working on this verbal and action vocabulary. There is no set date to start developing individuality and self awareness. Babies learn very fast so be patient, they are processing. 

The ratio of adults per babies in nurseries in the UK is 1 nursery practitioner for 3 babies – you should not be in the count. As they get older the ration changes.

Most nurseries will group the children according to their age (months) into different rooms. When a baby turns above a specific month and / or their physical, social and mental development exceeds expectations, then they move on to the “bigger” room. The room with older children. You may not be informed in advance. You will have to adjust your session plan to who you have there and accommodate to the majorities’ needs.

It’s useful to prepare a progression of your activities and how to break it down to something simpler. This way you can easily adjust according to who you have on the day. 

This is only a rough guide. You may know children that started walking at 10,5 months and others were still wobbly at 16 months, or could do simultaneous actions with both limbs earlier. Ask and be alert for changes sooner than expected.

Even if children can’t physically do something, they can’t do it YET. That means that you can build onto that skill. You can still ask the 20 month olds to put one hand on their tummy and one on their head. You will show them how to do it and move on to another activity, or break that activity down and allow each child to interpret it as they want. Be considerate. Don’t push them to do something they can’t do yet but guide them, show them and encourage them to do it when they are ready. Babies give feedback instantly, so if they feel frustrated about something you will know. Calmly congratulate them for what they have achieved and move on to something else that is more familiar.

During this designated music time with babies, you are building intention, perception, anticipation and expectations, feel safety and confidence in their abilities to carry on with their development. All this through music and sound exploration. So you are also offering an experience, the world through the auditory sense. All these qualities are invisible for a while but are there and are being cultivated through systematic and careful preparation.

I’d love to know your thoughts and how it goes for you!

© Rania Chrysostomou, 2020

Lesson plan 1: Love our Body

Name of activity
Our lovely body
0 – 12 months

Duration: 20 minutes

Aim of Activity: Learn the parts of our body and make sounds like clapping, and tapping
Skill:  Social skills: waiting for our turn, cooperate with our friends, listen and respond
Knowledge: learn our body and what we can do with it, learn the song Germ, Germ go away, practice standing and rolling a ball

Link to curriculum (EYFS)
“ Concentrates intently on an object or activity of own choosing for short periods”( EYFS, Development Matters, Communication and Language: Listening and attention, 8-20)

Link to overarching learning objective (EYFS)
“Begins to move to music, listen to or join in rhymes or songs”(  EYFS, Development Matters, Expressive arts and design: Exploring and using media and materials, 8-20 )

1. Warm up

2. Sing 2-3 songs

3. Sound story:
About a Germ that came to the nursery and climbs on the babies’ bodies.
Use something like scarves for props and sing the song Germ, Germ go away 

4. Listen to music and keep the rhythm
Music suggestion: Mozart Rondo Alla Turca you can listen to here

5. Table drum. 
Use rolling toys like balls and cars on the table.
Music suggestion: Dani Howard Argentum you can listen to here 

6. Sing two songs

7. Warm down (1 minute)
Listen to relaxing music, dim the lights
Music suggestion: George Karpasitis Lullaby available here

8. Say goodbye to everyone

Music source (iPad, tablet), table, rolling toys, small balls, scarves 

Download detailed lesson plan here. It includes what to expect from the children to do, what to ask the practitioners to do, as well as some song suggestions.

Let me know how it goes!

© Rania Chrysostomou, 2020, lesson plan for nursery schools music

Finding my voice as an Early Years Music Practitioner

Tips for introverts on managing communication

The Nursery made it clear to me from the beginning that they didn’t want a music entertainer (the word they used). The entertainer was defined as the person that gathers the children – and the nursery practitioners – around sings songs for 20 minutes and has a party-like feel. This is the very simplified definition of an Early Years Music Entertainer, but nonetheless, this is what I was told. They wanted their music practitioner to interact and involve the children in the process of music making through games and activities.

My intentions as well! 

This post is my personal experience.
It may inspire you. 

Back to our story…

I had to do something to keep the children engaged for longer periods. Some nursery practitioners were deliberately setting bad this just enforces that I had to change something in my approach. My manager came up with the ‘persona’ idea, not a clown, but a…a… caricature. I needed a hook like a magic music bag or a sparkling singing teddy, to keep the babies and children involved in the activities. She showed me a few videos on YouTube for inspiration, and pictures of their previous guy for the job, who was called something like “Sparks” and had a “magic box” with instruments, his guitar, and sang songs to the children. He had the “Magic” concept.

The guys on Youtube, were holding their guitar, singing very loudly, and the children with their parents were sitting around this main singer. This is the “Entertainer” style they explicitly told me to avoid at the beginning.  The parents were singing while holding their children to not move around much. The Singer used props and instruments as you would expect.

I was shown these videos to see how devoted the children were in the sessions of the Entertainer Music Man. The comparison was clumsy to say the least. The videos would start with all the children around and finish with just their parents sitting there. The children wondered off and didn’t come back. As these sessions were parents with their babies, so each baby had an adult for themselves, instead of my setting that was 3 babies to 1 adult. Also, they were men (sarcastic comment: 95% of the nursery practitioners were women so I wouldn’t be appealing enough as a guy would be!!!), singing loudly, with a guitar (and as we will see later, the guitar was a no go) and had minimum interaction with everyone. Again, a NO-GO.

Essentially, the nursery staff wanted a Guy to have party time with the adults.  

Looking past the clumsiness in the way they chose to inspire me into elevating my sessions, here is what I took out of our conversation and I think these are good tips for anyone to consider especially for introverts /and with low self-esteem like I was:

  1. Children love a good story. Anything to lure them into a fantasy world for just 20 minutes is brilliant! Possible ways to achieve this is by creating a mystery: the “magic bag with instruments”.
  2. To sing a bit louder and with more confidence. The children mimic behaviours so to see and hear someone speaking with confidence (sensibly loudly) will reflect on their way of singing and later on general speaking and behaving.
  3. Carry on with the 6 children that are participating instead of trying hard to get the 2 wanderers to rejoin the session is an advice to keep. Those 2 children will come back eventually. Confidence is key.

The nursery had a very solid child-led philosophy (I believe in this as well) so these are the topics that according to the videos, I should avoid:

  1. Singing a lot louder that the children 
  2. Not engaging with the children at all 
  3. A guitar or ukulele might be nice to have but as it was an extremely risk averse Nursery, a string might snap and injure a child or baby. So having them regularly was a big NO. 
  4. Giving a singing performance for every session 
  5. Not to keep the children in one position for the whole session but rather encourage them to move around purposefully. 

I believe it took a lot of clarity in the moment to identify what exactly I needed to improve in my delivery style so I don’t become a marionette that obeys other people’s visions without checking my values and abilities. It is good to test your limits and come out of your comfort zones but if you don’t feel comfortable with it, the chances are it will not be a success….

© Rania Chrysostomou, 2020

Music Practitioner or Entertainer

In a Nursery Setting

Being an Early Years Music practitioner or Early Years music Entertainer are two different styles of music enlightening, music delivery. Both styles are great for the children. The learning objectives may overlap, there are differences in the delivery style. There is a possibility to have traits of both approaches while leaning clearly towards one. That is what worked best for me even though it wasn’t very easy to learn how to do. 

Music Entertainer
I think of it as the Entertainer is the singer or actor on stage inviting the children in their storytelling or singing. In a nursery setting, as the in residence musician, it is more likely that you will be the singer that creates vibrant concerts. You will have a list of 10-15 nursery songs to sing with the children. You may be holding an instrument like a guitar or a ukulele but check before with the nursery school’s policy and risk chart.

Music Practitioner
The Music Practitioner is an explorer of sounds and plans child-led activities where investigation and experimentation are essential parts. Each song has a developmental purpose for being there and it might be repeated a few times with variations. This is my definition and how it was explained to me. I’d love to hear yours. 

Perhaps one of the best learnings a child can get through music time with an Entertainer that creates concerts is social etiquette (apart from songs and copying skills, and motor skills, talking, etc…). The course of the session is designed so that children wait for their turn and listen to instructions. 

And one of the best learnings from an Music Practitioner that created space through sound activities would be accepting and adapting to alternatives (apart from creativity, social skills, copying, motor skills, talking, and of course music properties). 

In both styles the children will develop

  • language
  • learn about numbers and animals
  • develop their motor skills
  • social skills, sing songs
  • create bonds with their practitioners and so on…

And both the practitioner and entertainer will still be

  • creating positive environments
  • setting boundaries
  • stimulate
  • support individuality and so on…

You can see as well, that it is the style of delivery that is at question here. And the style of delivery is what most clients are after. Whether you want to sing 10 songs in each session and have a party or want a child driven session, or something in between it is up to you and your personality and if you are able to adapt that is a bonus for you. You will have to please the adults as well as the children and one group is more important that the other. Do you know which one? Discuss with your clients what their vision is and plan accordingly. 

The main key here is: keep all (in reality is  most of the children, about 80%) engaged and taking part in the session. Whatever style you have your sessions are a success if you see the children interacting with you and each other, gradually staying focused for longer periods of time, and taking part in the songs and activities.

© Rania Chrysostomou, 2020

Music For the Early Years

Music Education in Nursery Schools

Photo by CDC on Unsplash
Of course I wasn’t allowed to take pictures so these are stock pictures

All the way back in the 2010s I worked in a nursery school. At first as a nursery practitioner in the baby room and a few months later I was promoted and my title became something like: the music practitioner in residence. I immersed the children’s and babies’ time in music across all six locations of the company’s nursery schools, all located in London, UK. My schedule was regular in terms of which day I would be at each nursery and what time I would teach in each room, and it would change every three months or so. 

Taking this job opportunity was very exciting and adventurous. I was constantly learning about teaching, interacting with adults and children and how music works with children and babies. It is safe to say now that my confidence levels on taking up this job were quite low, I had no idea what to do and I was learning on the job. I asked friends, and fellow classmates, and Google of course all the whats and hows and whys and as you might expect (not saying it ironically), the information was still a bit scattered. It’s not just piecing things together but also finding what would work best for me and the nurseries.

I organised and delivered music sessions with a lot of singing, and activities that allowed the children to explore, interact and learn about music and sound. The babies were from about 6 months old and the oldest children around 3,5 to 4 years old. Each session was focused for only one age group, babies, toddlers, preschoolers and the in between toddlers and preschoolers. This job comes with a handful of challenges, rewards, moments of exasperation and moments of contentment. There are many ways to think about this and to one that troubled me the most was:
Is my primary purpose to entertain or educate? The answer may be obvious but as I will explain in a following post, it wasn’t as simple. I wanted to have a very creative approach, one where the children would be investigating and experimenting with throughout the 20 minutes of their session.

With this series of articles I’d like to share with you some of my experiences and learnings from this process as well as some of the lesson plans and activities I developed and played with the children, what worked and what didn’t and potential improvements. So, if you want to find out more about the job of being a music practitioner, or want to incorporate more musical play with your children then these posts are for you.

I will be sharing some of my lesson plans, tips that I picked up, difference between an entertainer and a music practitioner, general advice for working with children, toddlers and babies, what to look out for when working as a musician in a nursery, and at some point I will also try to figure out if a musician (knows how to play an instrument, and studied music in university or conservatory, is serious about music and knows and appreciates the complexities of many music genres and subgenres which are and not limited to: classical music, contemporary classical music, folk, traditional, modern and pop music from various countries).

© Rania Chrysostomou, 2020